painting
by Michelle Doyle:
unidade |
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Capoeira
originated as an African martial art developed by slaves to fight their
masters. Capoeira was prohibited by the oppressors and banished from the
senzalas (slave barracks). The slaves were forced to practice clandestinely
in the forest. Later, in an attempt to disguise this dance of defiance from
the authorities, capoeira was developed into a kind of acrobatic dance.
The clapping of hands and plucking of the berimbau, a stringed musical instrument
that looks like a fishing rod, originally served to alert fighters to the
approach of the boss and subsequently became incorporated into the dance
to maintain the rhythm. |
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capoeira in the 19th century |
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As recently as the 1920s, capoeira was still prohibited and Salvador's police chief organized a police cavalry squad to ban capoeira from the streets. In the 1930s, Mestre Bimba established his academy and changed the emphasis of capoeira, from its original function as a tool of insurrection, to a form of artistic expression which has become an institution in Bahia. | |||
Mestre Bimba, 1900 - 1974 | Mestre Pastinha, 1889 - 1981 | ||
Today,
there are two schools of capoeira: the Capoeira de Angola, founded by
Mestre Pastinha, and the more aggressive Capoeira Regional of Mestre Bimba.
The former school holds that capoeira came from Angola; the latter believes
that it was born in the plantations of Cachoeira and other cities of the
recôncavo region. |
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painting
by Michelle Doyle:
praia |
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Capoeira combines the forms of the fight, the game and the dance. The
movements are always fluid and circular, the fighters always playful and
respectful. Capoeira has become very popular in recent years, and throughout
Bahia and the rest of Brazil you will see the roda de capoeiras (semicircles
of spectator-musicians who sing the initial chula before the
fight and provide the percussion during the fight). In addition to the
musical accompaniment from the berimbau, blows are exchanged
between fighter/dancers to the beat of other instruments, such as caxixi,
pandeiro, reco-reco, agogô and atabaque. |
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berimbau and other Capoeira instruments for sale on a Salvador street | |||
In recent
years, Capoeira has spread all over the world and gained thousands of
adherents. There is hardly any small town in Europe, Canada or the US
without its Capoeira school and led by some resident mestre. |
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