|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
What's
a Pousada? For those who haven't been to Brazil or Portugal: a Pousada
is a hostel, an inn. |
|
|
|
|
That was
our idea of making a living: A restaurant for me to cook to my heart's content
and some rooms to lodge tourists. We had no notion whatsoever about construction
work, but with both imagination and determination, anything's possible. I think
we didn't do bad at all. |
|
|
|
|
See for yourself
(you've got to have JavaScript enabled for the slide show): |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Shortly
after we started building, my third child, another boy, was born. As soon
as our own house was halfway ready, we moved in. |
|
|
|
|
|
|
|
|
|
All
in all, it took us about four years to construct the Pousada,
consisting of the first building with the restaurant and our own quarters,
a one-room guest bungalow and a bigger building with four guest-rooms.
At times we were too broke to pay any laborers, so the work went on rather
slow. My love for details didn't make for much speed either. We had a
guy work for many months only to carve the patterns I drew for him on
the wooden pillars of our living room windows.
|
|
|
|
|
Besides my imagination, some magazines and post-cards from
India helped to inspire my designs, and a few old issues of National Geography
came in handy as well. |
|
|
|
|
Every
piece of decoration or embellishment had to be made by hand. In places like
India we would have been able to find all we needed and more, whole streets
were lined with shops selling everything from ornamental bricks to fancy
small walls and crenellations. |
|
|
|
|
Here
nothing was had easily. An example: I wished to insert some ornamental elements
containing coloured glass into the walls of the bigger guesthouse. Those
I first had to draw, than a wooden mold had to be crafted by a worker to
be filled with cement. Two of the dried and hardened elements each had to
be joined together, with the pieces of glass set in between. To get those
pieces of coloured glass was two 80 km bus journeys (one to order them and
one to pick them up), which adds up to 320 km altogether. |
|
|
|
|
|
|
|
|
|
The embellishments
in the guest rooms had to be hand painted, shelves, doors and benches had
to be built, niches shaped, tiles laid. All those extras cost a lot of time
and money. Often some traveller would end up helping out with one or the
other odd job in exchange for food and lodgings. One such was a sailor,
I forgot where he came from, I only remember it was one of the northern
European countries. This unfortunate fellow got involved in a traffic accident
in Olinda, while the ship he was on had stopped in the port. His legs got
injured so bad he couldn't continue with his ship, but had to spend a few
weeks in hospital. He was on his way overland to Rio and still was not able
to walk without aid when he appeared in Trancoso, and he tiled our first
guest bathroom awkwardly hanging in his crutches. He only required an ample
supply of heavily laced hot coffee to do an excellent job. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
A pond
was an old dream of mine. In Brazil it was easy to have one. It only cost
us a few sacks of concrete. Two guys from New Zealand did the shoveling
in exchange for a few days free board and lodging. When a friend went down
south, he got us some fish to put in. I remember having goldfish, neon fish,
carps and some black ones who's name I can't recall. The water plants came
from local rivers. With time, some types of fish disappeared and others
thrived. Only two carps made it, but they lived long enough to become quite
huge. My daughter told me that meanwhile the carps have died too, presumably
due to negligence. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
In
the end, I left Brazil before the biggest and last of the buildings was
completely ready. A few of the upper floor windows bear witness to my unforeseen
departure, by being rather what I call "Mickey Mouse orientalistic"
in style. Luckily, the small Indian balcony was built when I was still around. |
|
|
|
|
|
|
|
|
|
To design everything,
from the general outlay down to the smallest shelf and ornament, and to
witness how ideas became solid reality, was a wonderful and very satisfactory
experience for me. To leave it all behind eventually was no problem, possessions
only too easily make a prisoner out of you. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|